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X-WR-CALDESC:Events for Houston Center for Photography
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TZID:UTC
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DTSTART:20180101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190719T173000
DTEND;TZID=UTC:20190719T200000
DTSTAMP:20260407T162740
CREATED:20190708T210037Z
LAST-MODIFIED:20190708T210125Z
UID:6782-1563557400-1563566400@hcponline.org
SUMMARY:2019 Center Annual Profound Movement Opening Reception
DESCRIPTION:Join Houston Center for Photography for this year’s Center Annual Exhibition\, juried by Shane Lavalette\, Director of Lightwork. \nThe Center Annual is Houston Center for Photography’s yearly group exhibition that seeks to highlight and provide insight into current themes\, technologies\, and practices in photography. The show features a diverse array of works from members of our global photography community and is selected by a leading curator\, editor\, or artist. This annual exhibition opens our galleries to photographers from anywhere in the world\, whether emerging\, mid-career\, or established\, and as such\, aims to provide viewers with critical insight into our current moment—both within the field of photography and within society at large. Shane Lavalette\, director of Light Work\, selected 38 artists out of over 200 entries from around the globe. \nOf those selected\, three artists will receive the Beth Block Center Annual Honoraria\, generously supported by The Beth Block Foundation. Deanna Pizzitelli\, Samantha Box\, and Zora Murff will receive $1\,000 each\, and will be featured in the Fall 2019 issue of spot magazine. \nLearn More\n 
URL:https://hcponline.org/event/2019-center-annual-profound-movement-opening-reception/
LOCATION:Houston Center for Photography
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2019/06/21-VikeshKapoor-OnAnIsland.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190715T180000
DTEND;TZID=UTC:20190715T210000
DTSTAMP:20260407T162740
CREATED:20190408T191450Z
LAST-MODIFIED:20190710T163602Z
UID:5911-1563213600-1563224400@hcponline.org
SUMMARY:Studio Lighting: Still Life & Product
DESCRIPTION:
URL:https://hcponline.org/event/studio-lighting-still-life-product-summer-session-1/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2019/04/D2X0027-as-Smart-Object-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190713T120000
DTEND;TZID=UTC:20190713T180000
DTSTAMP:20260407T162740
CREATED:20190404T202550Z
LAST-MODIFIED:20190408T191155Z
UID:5770-1563019200-1563040800@hcponline.org
SUMMARY:Camera Basics
DESCRIPTION:
URL:https://hcponline.org/event/camera-basics-summer-session-2/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2018/09/Architechture-Photography-©-Mark-Chen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190709T180000
DTEND;TZID=UTC:20190709T210000
DTSTAMP:20260407T162740
CREATED:20190404T213013Z
LAST-MODIFIED:20190408T154246Z
UID:5659-1562695200-1562706000@hcponline.org
SUMMARY:Photography I
DESCRIPTION:
URL:https://hcponline.org/event/photography-i-summer-session-3/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2018/09/Laura-Napier-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190708T180000
DTEND;TZID=UTC:20190708T210000
DTSTAMP:20260407T162740
CREATED:20190404T223123Z
LAST-MODIFIED:20190625T141148Z
UID:5715-1562608800-1562619600@hcponline.org
SUMMARY:Visual Storytelling
DESCRIPTION:
URL:https://hcponline.org/event/visual-storytelling-summer-session-1/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2019/04/chinatown_diptych.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190627T180000
DTEND;TZID=UTC:20190627T210000
DTSTAMP:20260407T162740
CREATED:20190404T212339Z
LAST-MODIFIED:20190408T154229Z
UID:5618-1561658400-1561669200@hcponline.org
SUMMARY:Out of the Box: Using Your Digital Camera
DESCRIPTION:
URL:https://hcponline.org/event/out-of-the-box-using-your-digital-camera-summer-session-2/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2018/09/Out-of-the-Box.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190625T180000
DTEND;TZID=UTC:20190625T210000
DTSTAMP:20260407T162741
CREATED:20190404T211606Z
LAST-MODIFIED:20190408T154220Z
UID:5725-1561485600-1561496400@hcponline.org
SUMMARY:Natural Light Portraiture
DESCRIPTION:
URL:https://hcponline.org/event/natural-light-portraiture-summer-session-1/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2018/12/Natural-Light-Portraiture-©-Jan-Rattia.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190618T190000
DTEND;TZID=UTC:20190618T200000
DTSTAMP:20260407T162741
CREATED:20190312T183246Z
LAST-MODIFIED:20190612T184334Z
UID:5466-1560884400-1560888000@hcponline.org
SUMMARY:Possible Selves: A Lecture by Horace Ballard
DESCRIPTION:Houston Center for Photography is pleased to present a lecture by Williams College Museum of Art curator\, Horace Ballard\, on the Museum’s exhibition possible selves: queer foto vernaculars. Ballard will speak about the curation of the exhibition and the global impact of queer identities on the evolution of portrait photography. The works exhibited in possible selves span over 60 years of photographic history and include artists such as Nan Goldin\, Andy Warhol\, and Lorna Simpson\, along with over 200 images from social media. By linking the fine art photograph with the social media snapshot\, possible selves emphasizes the ways in which queer communities are created through visual technologies and how photography has been used to interrogate normative and non-normative identities since the beginning of the medium. \nThis lecture is part of a city-wide initiative to commemorate the 50th anniversary of the Stonewall Riots\, which paved the way for the gay liberation movement and the contemporary fight for LGBTQIA rights in America. \nThis lecture is part of Houston Center for Photography’s ongoing series\, Words & Pictures\, a lecture and conversation series between photographers\, writers\, and thinkers of the medium. \nAbout Horace Ballard \nCurator of American Art\, Williams College Museum of Art  \n \nBallard specializes in American art of the eighteenth\, nineteenth\, and twentieth centuries. He is particularly interested in the history of photography\, ideologies of Romanticism\, gender in early-American portraiture\, the visual culture(s) of war\, and the formulation of queer canons across the history of art. He received a Ph.D. from Brown University and is currently preparing a book manuscript\, entitled\, “The Re-construction of Beauty: Photography\, Whiteness\, and US Masculinity\, 1865-1900.” He has held prior positions at the Museum of Art of the Rhode Island School of Design (RISD); the Yale University Art Gallery; the Birmingham Museum of Art; and Monticello/Thomas Jefferson Foundation. He also serves as a freelance writer and consultant on the black radical tradition and post-black art practices\, writing and editing for the Smithsonian; the Vera List Center of Art and Politics at the New School; the Studio Museum in Harlem\, and Galerie Myrtis in Baltimore. \n 
URL:https://hcponline.org/event/horace-ballard/
LOCATION:Houston Center for Photography
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2019/03/possible-selves-at-WCMA-3-2000x1334.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190615T120000
DTEND;TZID=UTC:20190615T150000
DTSTAMP:20260407T162741
CREATED:20190404T214144Z
LAST-MODIFIED:20190408T185755Z
UID:5697-1560600000-1560610800@hcponline.org
SUMMARY:Photoshop Crash Course
DESCRIPTION:
URL:https://hcponline.org/event/photoshop-crash-course-summer-session-1/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2019/04/HCP-photoshop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190611T180000
DTEND;TZID=UTC:20190611T210000
DTSTAMP:20260407T162741
CREATED:20190405T150601Z
LAST-MODIFIED:20190408T154019Z
UID:5905-1560276000-1560286800@hcponline.org
SUMMARY:Travel Photography
DESCRIPTION:
URL:https://hcponline.org/event/travel-photography-summer-session-2/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2019/04/D8H9339.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190608T120000
DTEND;TZID=UTC:20190608T180000
DTSTAMP:20260407T162741
CREATED:20190404T202741Z
LAST-MODIFIED:20190408T184845Z
UID:5763-1559995200-1560016800@hcponline.org
SUMMARY:Camera Basics
DESCRIPTION:
URL:https://hcponline.org/event/camera-basics-summer-session-1/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2018/09/Architechture-Photography-©-Mark-Chen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190523T180000
DTEND;TZID=UTC:20190523T210000
DTSTAMP:20260407T162741
CREATED:20190404T213809Z
LAST-MODIFIED:20190405T211638Z
UID:5667-1558634400-1558645200@hcponline.org
SUMMARY:Photography II
DESCRIPTION:
URL:https://hcponline.org/event/photography-ii-summer-session-1/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2018/11/Photo-II-©-Cristina-Velasquez.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190522T183000
DTEND;TZID=UTC:20190522T210000
DTSTAMP:20260407T162741
CREATED:20190404T214557Z
LAST-MODIFIED:20190408T184048Z
UID:5692-1558549800-1558558800@hcponline.org
SUMMARY:Photoshop I
DESCRIPTION:
URL:https://hcponline.org/event/photoshop-summer-session-2/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2019/04/HCP-photoshop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190516T180000
DTEND;TZID=UTC:20190516T210000
DTSTAMP:20260407T162741
CREATED:20181128T161504Z
LAST-MODIFIED:20181213T155215Z
UID:4082-1558029600-1558040400@hcponline.org
SUMMARY:Birds and Nature Photography
DESCRIPTION:
URL:https://hcponline.org/event/birds_and_nature_photography_1/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2018/09/Birds-and-Wildlife.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190515T180000
DTEND;TZID=UTC:20190515T210000
DTSTAMP:20260407T162741
CREATED:20190404T215620Z
LAST-MODIFIED:20190406T201112Z
UID:5709-1557943200-1557954000@hcponline.org
SUMMARY:Seminar: Developing Your Photographic Voice
DESCRIPTION:
URL:https://hcponline.org/event/seminar-summer-session-1/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2018/12/CV-7.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190514T180000
DTEND;TZID=UTC:20190514T210000
DTSTAMP:20260407T162741
CREATED:20190404T212921Z
LAST-MODIFIED:20190405T211600Z
UID:5657-1557856800-1557867600@hcponline.org
SUMMARY:Photography I
DESCRIPTION:
URL:https://hcponline.org/event/photography-i-summer-session-2/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2018/09/Laura-Napier-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190510T173000
DTEND;TZID=UTC:20190510T200000
DTSTAMP:20260407T162741
CREATED:20190506T142807Z
LAST-MODIFIED:20190506T142852Z
UID:6331-1557509400-1557518400@hcponline.org
SUMMARY:Opening Reception: 2019 Fellowship Awards
DESCRIPTION:Carol Crow Fellowship Award Recipient: Cristina Velasquez\nEl Nuevo Mundo / The New World\n\n\n\n\n© Cristina Velasquez\n“The New World\,” as a designation for the Americas\, originated in sixteenth-century Europe  during the so-called age of discovery. Four centuries later\, the term still evokes a combination of idealistic optimism and strategic exploitation. Cristina Velasquez questions this legacy from the perspective of her native Colombia. Deploying the concept of mestizaje\, or the mixing of different ethnicities and cultures\, Velasquez combines photography (a new medium) with weaving (an ancient method).  Neither is privileged: weaving lends texture and dimension to photography\, and photography adds representational detail to weaving. Velasquez produces objects that are overtly manual in origin\, asking the viewer to think about labor—her own\, and also that of Latin American people across the history of colonialism—as her true subject. Rather than illustrating working bodies in a conventionally documentary way\, Velasquez frequently depicts isolated limbs in stylized\, almost sculptural arrangements.  These photographs are collaborative stagings of bodies in landscapes. In another form of mestizaje\, they blend categories of genre and tone. Serious in intent and exacting in terms of craftsmanship\, Velasquez’s “New World” is also animated by a sense of absurdity and joyous color. The artist’s approach is not didactic or propagandistic\, but delivers its social and historic message via performance\, engaging the viewer in the game of questioning\, revision\, and revelation. \n–Juror\, Britt Salvesen \n\n\n\n\n\nHCP Fellowship Award Recipient: Zhao Qian\nA Field Guide\nZhao Qian\n\n\n\n\n\n\n\n\nThe long-haul airplane flight is Zhao Qian’s metaphor for the associative\, introspective\, disorienting images in “A Field Guide.”  When one is in an extended state of limbo\, one casts about for visual stimulation\, whether out the window or among the corporate entertainments offered by the airline. The spatial displacement mapped by Zhao’s San Francisco-to-Shanghai flight is also a cultural one that he experiences as a resident of both cities. The specificity of national identity is elided in non-sites such as airports\, where all design decisions—from wayfinding signage to furniture to advertisements—are driven by maximum legibility and functionality. Within those leveling conditions\, Zhao’s observational sensibility has the vibrancy and idiosyncrasy of a lucid dream.  Scale shifts\, odd juxtapositions\, aggressive colors\, and video sequences all contribute to an immersive effect that translates the montage strategies of surrealism and postmodernism into our fully digital present. Confronting the flattening tendencies of screen-culture—in which complex real-world objects\, places\, and emotions are dispersed into arrays of pixels—Zhao responds by mapping this flatness onto the dimensionality of a gallery or exhibition space. His open-ended Field Guide has infinite configurations. In that sense\, it is not definitive in the traditional manner of the “field guide” format\, which is intended to help the reader to identify flora\, fauna\, or other things in their natural environment. Instead\, Zhao Qian’s work makes us wonder if contemporary image culture is now in fact our natural environment. In that new reality\, the artist’s roving attention finds moments of individual meaning amidst the esperanto of global capitalism. \n–Juror\, Britt Salvesen
URL:https://hcponline.org/event/opening-reception-2019-fellowship-awards/
LOCATION:Houston Center for Photography
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2018/12/CV-7.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190510T173000
DTEND;TZID=UTC:20190510T200000
DTSTAMP:20260407T162741
CREATED:20190506T142321Z
LAST-MODIFIED:20190506T142321Z
UID:6326-1557509400-1557518400@hcponline.org
SUMMARY:Opening Reception: Elbert Howze Motherward\, 1985
DESCRIPTION:Elbert (Ed) Howze (1951 – 2015) was born in Detroit\, Michigan on Valentine’s Day in 1951. When he was eighteen\, he joined the United States Army and served in Vietnam\, sustaining permanent serious injuries that impacted his health for the rest of his life. He came to Houston in 1973 and continued his education at the University of Houston\, receiving a BFA in Fine Art\, a BS in Technology and Business Technology\, and an MFA in Photography\, studying under George Krause. In 1990\, he was a Houston Center for Photography Fellowship winner\, selected by Keith Carter\, Bill Frazier\, and Jean Caslin. \nHowze’s work came to Houston Center for Photography by way of his wife\, Mrs. Barbara Howze\, who soon after his death in 2015\, brought a portfolio case and several carefully-labeled boxes of photographs and drawings to the gallery at his bequest. Amidst hundreds of images of Houston and various veteran parades\, war demonstrations\, and travels around the country\, was a spiral-bound maquette of a photobook titled\, Fourth Ward. In other iterations in his archive he titles the work\, Motherward\, which is where this exhibition gets its title. The book consists of black and white and color portraits made in 1985 of residents of Houston’s Fourth Ward\, Freedmen’s Town\, an area he describes in an opening essay as “a place of neglect and decay\, which appears to be deliberate by plan.” As he informs us in this opening essay\, the work is not about the physical place of the Fourth Ward; it’s about the spirit and persistence of its residents. \nNewspaper clippings from the summer of 1984 were tucked away in his portfolios\, each describing the “battle brewing” over the neighborhood’s future\, its historic brick streets\, and its appeal for historic recognition. While his landscapes and environmental depictions of the neighborhood were made over a much longer period of time\, Howze made the majority of the portraits in Motherward in 1985\, collecting signed and dated model releases from most individuals. These releases identify each sitter with their name as well as their occupation\, ultimately assembling them into a community\, not of properties or streets\, but of people. Motherward asks us then\, not what or where but who is Fourth Ward\, whose is she\, and what story is she allowed to tell? This willful gesture to humanize the residents in the face of gentrification has become an important and prescient act of preservation for a neighborhood that is still fighting to hold onto its history. \nWith immense gratitude to Mrs. Barbara Howze and special thanks to Danielle Burns Wilson\, Curator and Manager at the African American Library at the Gregory School\, and Erika Thompson\, Community Liaison at the African American Library at the Gregory School. Houston Center for Photography and Mrs. Barbara Howze will donate the work to the African American Library at the Gregory School after this exhibition\, which is a place in the Fourth Ward that Howze often photographed. \n–Ashlyn Davis\, Executive Director & Curator
URL:https://hcponline.org/event/opening-reception-elbert-howze-motherward-1985/
LOCATION:Houston Center for Photography
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2019/03/ElbertHowzelores5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190509T190000
DTEND;TZID=UTC:20190509T210000
DTSTAMP:20260407T162741
CREATED:20190404T211207Z
LAST-MODIFIED:20190416T011740Z
UID:5682-1557428400-1557435600@hcponline.org
SUMMARY:Lightroom Classic CC
DESCRIPTION:
URL:https://hcponline.org/event/lightroom-summer-19-session-2/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2018/11/HCP_DDR_006.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190507T180000
DTEND;TZID=UTC:20190507T200000
DTSTAMP:20260407T162741
CREATED:20190423T224821Z
LAST-MODIFIED:20190423T224821Z
UID:6276-1557252000-1557259200@hcponline.org
SUMMARY:Annual Members' Meeting
DESCRIPTION:  \n 
URL:https://hcponline.org/event/annual-members-meeting/
LOCATION:Houston Center for Photography
CATEGORIES:Member Events,Events
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2019/04/annual-members-meeting.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190507T100000
DTEND;TZID=UTC:20190507T123000
DTSTAMP:20260407T162741
CREATED:20190404T214438Z
LAST-MODIFIED:20190408T183203Z
UID:5689-1557223200-1557232200@hcponline.org
SUMMARY:Photoshop I
DESCRIPTION:
URL:https://hcponline.org/event/photoshop-summer-session-1/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2019/04/HCP-photoshop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190506T180000
DTEND;TZID=UTC:20190506T210000
DTSTAMP:20260407T162741
CREATED:20190405T150347Z
LAST-MODIFIED:20190408T153802Z
UID:5900-1557165600-1557176400@hcponline.org
SUMMARY:Travel Photography
DESCRIPTION:
URL:https://hcponline.org/event/travel-photography-summer-session-1/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2019/04/D8H9339.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190506T180000
DTEND;TZID=UTC:20190506T210000
DTSTAMP:20260407T162741
CREATED:20190404T215021Z
LAST-MODIFIED:20190408T154136Z
UID:5706-1557165600-1557176400@hcponline.org
SUMMARY:Picture Logic: Sequence versus Series
DESCRIPTION:
URL:https://hcponline.org/event/picture-logic-sequence-v-series-summer-session-1/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2018/10/Picture-Logic-©-Bucky-Miller.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190502T140000
DTEND;TZID=UTC:20190502T170000
DTSTAMP:20260407T162741
CREATED:20190404T212012Z
LAST-MODIFIED:20190405T211432Z
UID:5615-1556805600-1556816400@hcponline.org
SUMMARY:Out of the Box: Using Your Digital Camera
DESCRIPTION:
URL:https://hcponline.org/event/out-of-the-box-using-your-digital-camera-summer-session-1/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2018/09/Out-of-the-Box.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190502T100000
DTEND;TZID=UTC:20190502T130000
DTSTAMP:20260407T162741
CREATED:20190405T203516Z
LAST-MODIFIED:20190730T164409Z
UID:5654-1556791200-1556802000@hcponline.org
SUMMARY:Photography I
DESCRIPTION:
URL:https://hcponline.org/event/photography-i-summer-session-1/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2019/07/brandt.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190501T100000
DTEND;TZID=UTC:20190501T120000
DTSTAMP:20260407T162741
CREATED:20190403T160803Z
LAST-MODIFIED:20190404T152920Z
UID:5606-1556704800-1556712000@hcponline.org
SUMMARY:Lightroom Classic CC
DESCRIPTION:
URL:https://hcponline.org/event/lightroom-summer-19-session-1/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2018/11/HCP_DDR_006.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190430T180000
DTEND;TZID=UTC:20190430T210000
DTSTAMP:20260407T162741
CREATED:20190318T194654Z
LAST-MODIFIED:20190829T162710Z
UID:5488-1556647200-1556658000@hcponline.org
SUMMARY:April Critique Group
DESCRIPTION:Members: Join us at our April Critique Group\, an insightful way to gain a sense of direction in your photographic work. Dr. Cindy Lisica will lead this group session to review your portfolio and provide feedback. Lisica holds a PhD in Modern and Contemporary Art and has worked with museums around the world from Tate Modern to The Warhol. As a professor\, she has taught at University of Houston\, National University (Los Angeles)\, and University of Pittsburgh\, and currently teaches multiple graduate courses in Art History\, Gallery and Museum Practices\, and Writing About Art at Houston Baptist University. Dr. Lisica regularly serves as a guest curator\, juror\, and speaker at museums\, universities and other art institutions. She is also the owner and director of her eponymous gallery in Montrose\, exhibiting contemporary artists working in various media with a unique focus on hybrid techniques and transnational cultural identity\, often drawing from curatorial and academic connections in Europe\, Asia\, and the Americas. \nThis critique group is ideal for photographers looking for insight on their work for the first time\, or to discuss your ongoing works at any level. We can accommodate up to six showings for critique\, and encourage all members to attend -even if not presenting work- and participate in the conversations. \nTuesday\, April 30\, 2019 – 6-9PM \n  \nNot a Member? \nJOIN NOW\n  \n 
URL:https://hcponline.org/event/march-critique-group-2/
LOCATION:Houston Center for Photography
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2019/03/Dr-Cindy-Lisica.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190427T100000
DTEND;TZID=UTC:20190427T130000
DTSTAMP:20260407T162741
CREATED:20181128T161457Z
LAST-MODIFIED:20190427T153058Z
UID:3885-1556359200-1556370000@hcponline.org
SUMMARY:Photography II
DESCRIPTION:
URL:https://hcponline.org/event/photography-ii-4/
CATEGORIES:Classes
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2018/11/Photo-II-©-Cristina-Velasquez.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190422T190000
DTEND;TZID=UTC:20190422T210000
DTSTAMP:20260407T162741
CREATED:20190213T185247Z
LAST-MODIFIED:20190221T212930Z
UID:5088-1555959600-1555966800@hcponline.org
SUMMARY:A Festive Dinner Experience
DESCRIPTION:Marcos Lopez\, Il Piccolo Vapore\, Buenos Aires\, Argentina\, 2007\nIn support of the exhibition\, Photography at its Limits (on view March 15  – April 28\, 2019)\, join Libbie and Mariquita Masterson in Houston Center for Photography’s galleries for a not-soon-to-be-forgotten dinner experience\, created by two of Houston’s most fanciful fiesta-throwers. Sip cocktails inside an Oscar Muñoz projection and dine with a lively group of friends while supporting the exhibition\, Photography at its Limits: Marcos Lopez\, Joiri Minaya\, and Oscar Muñoz\, curated by Natalia Brizuela and Jodi Roberts\, from their new\, groundbreaking text\, The Matter of Photography in the Americas. We promise\, food will not be too hot for human consumption! \n$400 per person | Limited to 25 guests  \nApril 22\, 2019 at 7 pm at Houston Center for Photography \nPurchase Tickets\nGuests must purchase tickets by February 28\, 2019
URL:https://hcponline.org/event/a-festive-dinner-experience/
LOCATION:Houston Center for Photography
CATEGORIES:Special Programs,Events
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2019/02/Marcos-Lopez.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190420T120000
DTEND;TZID=UTC:20190420T130000
DTSTAMP:20260407T162741
CREATED:20190408T164059Z
LAST-MODIFIED:20190417T160647Z
UID:5867-1555761600-1555765200@hcponline.org
SUMMARY:April Capture Crawl - SOLD OUT
DESCRIPTION:
URL:https://hcponline.org/event/april-capture-crawl/
LOCATION:Houston Metropolitan Research Center at the Julia Ideson Building\, 550 McKinney St.\, Houston\, TX\, 77002
ATTACH;FMTTYPE=image/jpeg:https://hcponline.org/wp-content/uploads/2019/04/HPL-Julia-Ideson-Building.jpg
END:VEVENT
END:VCALENDAR